Popular Music and Activism

7.5 credits

Course, Master's level, 5MU081

Expand the information below to show details on how to apply and entry requirements.

Location
Flexible
Pace of study
50%
Teaching form
Distance learning
Number of mandatory on-campus meetings
0
Number of optional on-campus meetings
0
Instructional time
Daytime
Study period
1 September 2025–9 November 2025
Language of instruction
English
Entry requirements

A Bachelor's degree, equivalent to a Swedish Kandidatexamen, from an internationally recognised university. Proficiency in English equivalent to the general entry requirements for first-cycle (Bachelor's level) studies.

Selection

All qualified applicants will be admitted.

Fees
If you are not a citizen of a European Union (EU) or European Economic Area (EEA) country, or Switzerland, you are required to pay application and tuition fees.
  • First tuition fee instalment: SEK 12,500
  • Total tuition fee: SEK 12,500

Read more about fees.

Application deadline
15 April 2025
Application code
UU-52917

Admitted or on the waiting list?

Registration period
11 August 2025–31 August 2025
Information on registration from the department

Location
Flexible
Pace of study
50%
Teaching form
Distance learning
Number of mandatory on-campus meetings
0
Number of optional on-campus meetings
0
Instructional time
Daytime
Study period
1 September 2025–9 November 2025
Language of instruction
English
Entry requirements

A Bachelor's degree, equivalent to a Swedish Kandidatexamen, from an internationally recognised university. Proficiency in English equivalent to the general entry requirements for first-cycle (Bachelor's level) studies.

Admitted or on the waiting list?

Registration period
11 August 2025–31 August 2025
Information on registration from the department

About the course

This module discusses and analyzes the relations between popular music and activism. Indicative content includes protest music, popular music and populism, music used by activist movements, music and social change, artists as activists in their music and life, activism aiming to change the music industry, and humor and satire as tools of activism in popular music.  

Work from cultural theory, gender theory and popular music studies are drawn upon in the module. Theoretical and methodological perspectives from these three fields are studied. Further, within the module several strategies for social change are covered, and their application to popular music. The musical traditions and artists introduced in the course are from a variety of regions and popular music genres.

Outline for distance course: This is a distance course and as such requires students to have access to a computer with Internet connection. All the material will be provided through the course. There are no physical meetings or set times. The course is examined through continuous assessment.

No reading list found.

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