Main group 1

• Cavazzini, Patrizia, Painting as business in early seventeenth-century Rome, University Park, Pa., Pennsylvania State University Press, 2008Compulsory*
• Duncan, Carol, Civilizing rituals: Inside Public Art Museums, London ; a New York, Routledge, 1995Compulsory*
• Haskell, Francis, Patrons and painters: a study in the relations between Italian art and society in the age of the Baroque, Rev. and enl. ed., New Haven, Yale Univ. Press, 1980Compulsory*
• Kongl. Museum: rum för ideal och bildning: en konstbok från Nationalmuseum, Stockholm, Streiffert, cop. 1993
• Nationalmuseum; Ahlund, Mikael; Brummer, Hans Henrik, Konst kräver rum: Nationalmusei historia och framtid: en bok i anslutning till samlingsutställningen Konst kräver rum 13.6 2002-16.2 2003., Stockholm, Nationalmuseum, 2002
• Norlander Eliasson, Sabrina, A Faceless Society?: Portraiture and the Politics of Display in Eighteenth-Century Rome, Part of: Art history: journal of the Association of Art Historians, vol. Vol. 30, no. No. 4, 2007
• Prytz, Daniel; Eriksson, Johan, The Martelli collection: further notes towards its history, Part of: Art bulletin of Nationalmuseum Stockholm., vol. 16, 2010, p. 77–86
• The genesis of the art museum in the 18th century: papers given at a symposium in Nationalmuseum Stockholm, June 26, 1992, in cooperation with the Royal Academy of Letters, History and Antiquities, Stockholm, Nationalmuseum, 1993
• Widén, Per, Från kungligt galleri till nationellt museum: aktörer, praktik och argument i svensk konstmuseal diskurs ca 1814-1845, Hedemora, Gidlund, 2009

* Compulsory