Main group 1

• Baroni, Mario, Musical Analysis: a Restless and Changing Practice, Part of: Le discipline musicologiche: prospettive di fine secolo = The musicological disciplines: end-of-century perspectives, Firenze, Leo Olschki, 2001, vol. 35, p. 303–320Compulsory*
• Cook, Nicholas, A guide to musical analysis, [New ed.], Oxford, Oxford Univ. Press, 1994Compulsory*
• Danielsen, Anne, Presence and pleasure: the funk grooves of James Brown and Parliament, Middletown, CT, Wesleyan University Press, 2006Compulsory* (selected chapters)
• Krummacher, Friedhelm, Reception and Analysis: On the Brahms Quartets, Op. 51, Nos. 1 and 2, Part of: 19th century music, vol. 18, no. 1, 1994, p. 24–45Compulsory* (available on JSTOR)
• Rehding, Alexander, Tonality between Rule or Repertory; Or, Riemann's Functions - Beethoven's Function, Part of: Music theory spectrum, vol. 33, 2011, p. 109–123Compulsory* (available on JSTOR)
• Ledbetter, David, Bach's Well-tempered Clavier: the 48 preludes and fugues, New Haven, Conn., Yale University Press, 2002Compulsory*
• Stein, Deborah J., Engaging music: essays in music analysis, New York, Oxford University Press, 2005Compulsory*
• Schönberg, Arnold, The second string quartet in F-sharp minor, op. 10, 1. ed., New York, W.W. Norton, cop. 2006Compulsory*

* Compulsory