Main group 1

•  "The Physics Department at the University of Geneva, Cern", Part of: Artists-in-labs: Networking in the Margins, Wien, Springer-Verlag, 2010Compulsory*
• Ahlberg, Jörgen, Visualization techniques for surveillance: visualizing what cannot be seen and hiding what should not be seen, Part of: Konsthistorisk tidskrift, vol. 84, no. 2, 2015, p. 123–138Compulsory*
• Crandall, Jordan, Envisioning the Homefront:: Militarization, Tracking and Security Culture, Part of: Journal of visual culture., vol. 1, no. 4, 2005, p. 17–38Compulsory*
• Glauser, Andrea, Formative encounters: laboratory life and artistic practice, Part of: Artists-in-labs: Networking in the Margins, Wien, Springer-Verlag, 2010, p. 12–24Compulsory*
• Gonzenbach, Christian, Artist in the Physics Department at the University of Geneva, Cern, Part of: Artists-in-labs: Networking in the Margins, Wien, Springer-Verlag, 2010Compulsory*
• Holger, Lena et al., Inledning, Part of: Kroppen: konst och vetenskap, Stockholm, Nationalmuseum, 2005, p. 11–23Compulsory*
• Jones, Caroline A.; Galison, Peter, Introduction, Part of: Picturing science, producing art, New York, Routledge, 1998, p. 1–23Compulsory*
• Jülich, Solveig, Laboratoriet och ateljén, Part of: Kroppen: konst och vetenskap, Stockholm, Nationalmuseum, 2005, p. 203–229Compulsory*
• Jülich, Solveig, Lennart Nilsson's fish-eyes: a photographic and cultural history of views from below, Part of: Konsthistorisk tidskrift, vol. 84, no. 2, 2015, p. 75–92Compulsory*
• Kemp, Martin, Seen / unseen: art, science, and intuition from Leonardo to the Hubble telescope, Oxford, Oxford University Press, 2006Compulsory*
• Kurgan, Laura, Close up at a distance: mapping, technology, and politics, New York, Zone, 2013Compulsory*
• Orrghen, Anna, Driven by Visualization: Sten Kallin's collaborations with Astrid Sampe, Sture Johannesson and Mats Amundin as explorations of computer technology, Part of: Konsthistorisk tidskrift, vol. Vol. 84, no. 2, 2015, p. 93–107Compulsory*
• Orrghen, Anna, Technologies of Visualization, Part of: Konsthistorisk tidskrift, vol. Vol. 84, no. 2, 2015, p. 73–74Compulsory*
• Plautz, Dana, New Ideas Emerge When Collaboration Occurs, Part of: Leonardo: journal of the International Society for the Arts, Sciences and Technology, vol. vol. 38, no. no. 4, 2005, p. 302–309Compulsory*
• Sappol, Michael, Body modern: Fritz Kahn, scientific illustration, and the homuncular subject, Minneapolis, University of Minnesota Press, 2017Compulsory*
• Weimarck, Torsten, Kroppen: konst och vetenskap, Stockholm, Nationalmuseum, 2005Compulsory*
• Wästfelt, Anders, Reclaiming Position: Using Local Context to Visualise Interpretations of Satellite Images in Humanities and Social Science, Part of: Konsthistorisk tidskrift, vol. Vol. 84, no. 2, 2015, p. 108–122Compulsory*
• Zschocke, Nina, Art and science research teams?: Some arguments in favour of a culture of dissent, Part of: Artists-in-labs: Networking in the Margins, Wien, Springer-Verlag, 2010, p. 68–81Compulsory*
• Zwijnenberg, Robert, Art, the Life Sciences and the Humanities: In Search of a Relationship, Part of: Art in the age of technoscience: genetic engineering, robotics, and artificial life in contemporary art, Wien, Springer, cop. 2009Compulsory*
• Åhrén, Eva, Figuring Things Out: Visualizations in the Work of Swedish Anatomists Anders and Gustaf Retzius, 1829-1921, Part of: Nuncius, vol. vol. 32, no. nr 1, 2017Compulsory*
• Åhrén, Eva, Kroppar av vax: modeller och preparat i konst och vetenskap, Part of: Kroppen: konst och vetenskap, Stockholm, Nationalmuseum, 2005Compulsory*

* Compulsory