Johan Jansson

Short presentation

Johan Jansson is an associate professor (universitetslektor/docent) and the Director of Anders Sandrew Institute for Culture and Creativity.

Jansson does research focusing on the spatial organization of (economic) activities in the intersection between culture and economy; how technology alters social/economic dynamics of distance/proximity; death geographies.

Keywords

• Anders Sandrew Institute for Culture and Creativity
• creative work
• cultural and creative sector
• digitalization
• death geography
• consumption
• intermediation
• curation
• proximity
• distance
• embeddedness
• knowledge flows
• urban and rural planning
• regional development
• qualitative methods

Biography

In relation to research Jansson has experience in writing research applications, leading and coordinating research projects. His research concerns 1) the spatial organization of (economic) activities with an empirical focus on spatially and socially embedded processes in the intersection between culture and economy; 2) how technology alters dynamics of distance/proximity and thus changes social and economic interactions; and 3) understanding questions related to death geographies. Jansson primarily uses qualitative methods such as interviews, observations, secondary material and qualitative data analysis.

In terms of teaching Jansson is involved in planning, administrating and teaching at various courses at the Department of Human Geography (undergraduate, master level) and coordinating PhD level courses within the national PhD course program. He is mainly teaching in courses related to Economic geography and Urban and regional planning, but does also teach more broader aspects of Human Geography. Currently Jansson is the program coordinator for the Samhällsplaneringsprogrammet (Bachelor's Program in Urban and Regional Planning) at Uppsala university. In addition, Jansson does teach in interdisciplinary contexts such as the Master Program in Socio-Technical Systems Engineering.

Jansson has experience in university administration. He is currently the Director of Anders Sandrew Institute for Culture and Creativity (2026-). Other administrative tasks include deputy/associate head of department at the department of Human Geography, Uppsala University (2023-26), human geography department board (2012-2020), teacher representative at the social science faculty board at Uppsala university (2018-2023), program coordinator for the Urban and Regional Planning program at Uppsala University (2021-26), member of the election committee at the faculty of Social science at Uppsala University (2023-).

Research

Ongoing projects

“One foot here one foot there: how is sustainable economic development, innovation and working life affected by second home ownership in Sweden?” (Funded by Formas, 2024-2026). This project is based on the premise that our daily lives are increasingly fragmented across different locations, for many that is between their primary and secondary homes. Technological advancements, changing work and employment practices, such as freelancing and working from home, have meant that the home and other places besides the traditional office are becoming more central to work life for many people. The purpose of this three-year research project, which brings together researchers from three Swedish human geography departments, is to study the role of second homes in work life and what they mean for sustainable development. The analysis focuses on three areas: spatial patterns for the relationship between second homes and regional development, case studies of regions where second homes are prominent, and sectors where workers and entrepreneurs are overrepresented. The goals of the project are to contribute to emerging research that challenges a traditional spatial division of urban core and rural periphery, to better understand emerging space of work and mobility, and to better understand second homes’ role in sectors and in regions. Drawing on quantitative and qualitative methods, the project aims to question whether second homes can contribute to more dynamic local and sustainable economic development; and if using a second home contributes to people's working lives in ways that might be positive to economic sustainability and wellbeing.

“Curation in music technology innovation processes”. Modern society is characterized by technological and social acceleration, transforming the material, social and mental worlds at an increasing rate (Rosa 2014). Digital innovation offers seemingly limitless availability of technological choices and features, often making the act of browsing and choosing a central, time-consuming activity in itself – a frustration for some, a pastime for others. Regardless of the purpose, research shows that too much choice is detrimental to moving forward, often leading to disempowered feelings of alienation (Schwartz 2004, Tin 2012, Biskjaer & Halskov 2014). To deal with the feeling of acceleration, limiting available choices and features in the digital devices we use every day, emerges as a central issue in order to nurture creativity and focus. There are today several examples of “alternative” products (Thorén et al 2019) that offer limited functionality, running counter to competing products - and they seem to be growing in popularity. These products resonate with the recent discourse around a shift from the efficiency paradigm to technological slowdown (Hallnäs & Redström 2001) and meaningful technologies (de Cremer & Kasparov 2022, Thorén 2021) by attenuating the constant flow of information and choice, fostering a sense of permanence and stability. The purpose of the project is an increased understanding of how “curation” as a material-discursive practice is made sense of and applied in innovation processes.

“Scattered Geographies: Tracing the Post Mortal Mobilities of Cremains and Popular Conceptions of Cremation and Ash Burials in Contemporary Sweden” This is an interdisciplinary empirically driven research project with the purpose to explore the spatialities of contemporary funerals and mobilities of remains. It has an empirical focus on ‘cremains’ (cremated remains), and how next-of-kin navigate traditional, cultural, and legal contexts. This research project will focus on how modern society is changing in relation to where we want to and/or will be buried, and why, thus tying this project to research on ‘post-mortal mobility’ and ‘place attachment’. Modern society's mobility, digitalization, and individualization have made the choice of a final resting place more complex. In Sweden, the growing preference for cremation adds to this complexity, as ashes are easier to move, transport, and distribute. This increased mobility allows for ‘multi-locality’ in selecting a resting place and opens the door to new funeral rituals. This research explores how cremains' portability shapes modern burial practices. This project is expected to contribute to several areas within the disciplinary fields of human geography and sociology of religion generating both new empirical knowledge and fresh theoretical insights. In addition, the project will offer insights that will influence discussions on policies and regulations related to ash scattering at local, regional, and national levels.

Past projects (selected)

• “Creative and entrepreneurial edges: Creativity, entrepreneurship, and business networks on the edge and periphery of Sweden” (funded by Handelsbanken Jan Wallanders och Tom Hedelius Stiftelse Tore Browaldhs Stiftelse (2020-2023).
• “The Art of Migrating: A study of how artists and musicians create meanings and translocal connections in times of conflict and uncertainty” (funded by Circus/Uppsala University 2021-2022.
• “Managing the challenges of time and space in digital transformation” (funded by Vinnova 2021-2022).
• “Innovating funerals and funeral rites in Sweden” (funded by Circus/Uppsala University 2020-2021).
•  “Managing the digital transformation of physical space” (funded by Vinnova 2019-2021)
• “Intermediation, place and value creation: Exploring the processes and spaces of ‘curation’” (funded by Riksbankens Jubileumsfond 2015-2021)
• ”Culture, creativity and economy” (Rambidrag för kulturforskning’), funded by Vetenskapsrådet 2014-2020.
• "Quality, competitiveness and regions", funded by Handelsbanken and the Jan Wallanders and Tom Hedelius Stiftelse Tore Browaldhs Stiftelse, 2011-14.
• ”I besökarens fotspår” ("Following the visitor”), funded by ‘Uppsala Innovation’ through the project ‘Verifiering för samverkan’ (‘Verification for collaboration’), 2014-2015.
• "Competitiveness through quality”, funded by The Joint Committee for Nordic Research Councils for the Humanities and the Social Sciences (NOS-HS) and the funding of Nordic Collaborative Research Projects (NORDCORP), 2009-13.
• “Creativity and Innovation in the Cultural Industries”, funded by Wallander/Hedelius Fund at Handelsbanken, 2006-09.
• ”The Image of the City - Urban Branding as Constructed Capabilities in Nordic City Regions”, funded by the Nordic Innovation Center, 2005-06.
• “Creative Directions - a framework for supporting the creative industries”, funded by the Nordic Innovation Center, 2005.
• “The Future in Design”, funded by the Nordic Industrial Fund, 2004.
• ”Behind the Music”, funded by the Nordic Industrial Fund, 2003.
• ”The Internet Industry in Central Stockholm” (thesis project) A Study of Agglomeration Economies, Social Network Relations, and Information Flows [Internetbranschen i Stockholms innerstad – En studie av agglomerationsfördelar, sociala nätverksrelationer och informationsflöden]”. Thesis project funded by Uppsala University, 2000-2005.