Guy Dammann
Researcher at Department of Philosophy; Aesthetics; Academic Staff
- E-mail:
- guy.dammann@filosofi.uu.se
- Visiting address:
- Engelska parken, Thunbergsvägen 3 H
- Postal address:
- Box 627
751 26 UPPSALA
Download contact information for Guy Dammann at Department of Philosophy; Aesthetics; Academic Staff
More information is available to staff who log in.
Short presentation
Research interests include Philosophy of Music and Aesthetics, Music Criticism, Contemporary Music, Opera, Music and Ideas in Eighteenth-Century France. I am currently researching a book on the history and meaning of music criticism and its relation to the idea of music as art.
I work as a music and opera critic, primarily for the Times Literary Supplement and the Guardian (UK).
Biography
I was educated at the University of Oxford (MA, 1994) and at King's College, London (MMus 1999, PhD 2006). My doctoral thesis investigated the relation between Jean-Jacques Rousseau's musical theories and his moral philosophy, and was entitled "The Morality of Musical Imitation in Jean-Jacques Rousseau" (pdf available here).
I became a journalist in 2006, specialising in music and culture, and have worked as a music critic for the Guardian since 2008 and as the main opera critic of the Times Literary Supplement since 2009. From 2009 to 2014 I also taught at the Guildhall School of Music and Drama in London.
I am married to the philosopher Elisabeth Schellekens with whom I have two children, Cecilia and Gabriel.
Publications
Selection of publications
- Aesthetic Understanding and Epistemic Agency in Art (2021)
- Absolute programme music (2017)
- On The Moral Psychology and Normative Force Of Aesthetic Reasons (2017)
- Opera and the Limits of Philosophy: (2010)
- The Morality of Musical Imitation in Jean-Jacques Rousseau (2006)
- «Sonate, que me veux-tu?»: Jean-Jacques Rousseau and the Problem of Instrumental Music (2005)
Recent publications
- A stage of their own (2023)
- The death of a child (2023)
- The end of the world as they know it (2023)
- Disruptive aesthetics, compliant art (2022)
- Massacre of the innocents (2022)
All publications
Articles
- A stage of their own (2023)
- The death of a child (2023)
- The end of the world as they know it (2023)
- Massacre of the innocents (2022)
- An offer that can’t be refused (2022)
- Aesthetic Understanding and Epistemic Agency in Art (2021)
- Anthropocene (2019)
- E lucevan le stelle (2019)
- On the infinite sea (2019)
- Whitsun Festival (2019)
- Happily ever after (2019)
- A Dinner Engagement (2019)
- DONNERSTAG AUS LICHT Royal Festival Hall (2019)
- Lessons in love and life (2019)
- Angels and demons (2019)
- E lucevan le stele (2019)
- Memories of life (2019)
- Excess all arias? (2019)
- Systems of harmony and colour (2018)
- VANESSA (2018)
- Letters gone astray (2018)
- Mythical spaces (2018)
- Embroidery of inestimable value (2018)
- Freedom and passion, not peace (2018)
- PELLEAS AND MELISANDE (2018)
- How they came to be where they are (2018)
- Gilt-laden memories (2018)
- Sugar, spice and ginger (2018)
- Letters gone astray (2018)
- Absolute Music (2017)
- The Mastersingers of Nuremberg (2017)
- The ex factor (2017)
- Madam Butterfly (2017)
- Verismo in action (2017)
- Absolute programme music (2017)
- The music of time (2017)
- BEING WAGNER (2017)
- THE RING OF TRUTH (2017)
- Hamlet (2017)
- The impact of kitsch (2017)
- Review: L'Invisible (2017)
- In the beginning was the deed (2017)
- Marnie (2017)
- Puccini - La Boheme (2017)
- On The Moral Psychology and Normative Force Of Aesthetic Reasons (2017)
- Shostakovich THE NOSE (2016)
- Don Giovanni (2016)
- NORMA (2016)
- Passing fancy and passionate intensity (2016)
- Cyborgs and psychopaths (2016)
- Romantic Fictions (2016)
- Trapped in the machinery (2015)
- Out of the Shadows (2015)
- Shifts and Shocks (2015)
- The Corridor / The Cure (2015)
- Sacrificial Acts (2015)
- Not so subtle tragedies (2015)
- The power of song (2015)
- Nightmare heroics (2015)
- Gods and monsters (2014)
- A Passion beyond our reach (2014)
- Lions and villains (2014)
- Operatic Pile-Ups (2014)
- Earth-bound emotion (2014)
- Fishing for Arias (2014)
- Unstable Frustrations (2014)
- Gardening Classes (2014)
- Carnival and commedia (2014)
- Inconceivable Grace (2014)
- A fair hearing (2014)
- Opera and the Limits of Philosophy: (2010)
- «Sonate, que me veux-tu?»: Jean-Jacques Rousseau and the Problem of Instrumental Music (2005)
Books
Chapters
- Oedipus and Free Will (2016)
- Freedom Obtained Through Love (2014)
- “Almost Miraculous”: Britten’s Music for Orchestra (2013)