Guy Dammann
Researcher at Department of Philosophy; Aesthetics; Academic Staff
- E-mail:
- guy.dammann@filosofi.uu.se
- Visiting address:
- Engelska parken, Thunbergsvägen 3 H
- Postal address:
- Box 627
751 26 UPPSALA
Download contact information for Guy Dammann at Department of Philosophy; Aesthetics; Academic Staff
Short presentation
Research interests include Philosophy of Music and Aesthetics, Music Criticism, Contemporary Music, Opera, Music and Ideas in Eighteenth-Century France. I am currently researching a book on the history and meaning of music criticism and its relation to the idea of music as art.
I work as a music and opera critic, primarily for the Times Literary Supplement and the Guardian (UK).
Biography
I was educated at the University of Oxford (MA, 1994) and at King's College, London (MMus 1999, PhD 2006). My doctoral thesis investigated the relation between Jean-Jacques Rousseau's musical theories and his moral philosophy, and was entitled "The Morality of Musical Imitation in Jean-Jacques Rousseau" (pdf available here).
I became a journalist in 2006, specialising in music and culture, and have worked as a music critic for the Guardian since 2008 and as the main opera critic of the Times Literary Supplement since 2009. From 2009 to 2014 I also taught at the Guildhall School of Music and Drama in London.
I am married to the philosopher Elisabeth Schellekens with whom I have two children, Cecilia and Gabriel.

Publications
Selection of publications
Aesthetic Understanding and Epistemic Agency in Art
Part of Disputatio, p. 265-282, 2021
- DOI for Aesthetic Understanding and Epistemic Agency in Art
- Download full text (pdf) of Aesthetic Understanding and Epistemic Agency in Art
On The Moral Psychology and Normative Force Of Aesthetic Reasons
Part of Estetika, p. 20-39, 2017
Part of British Journal of Aesthetics, p. 71-75, 2017
Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
Part of British Journal of Aesthetics, p. 469-479, 2010
- DOI for Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
- Download full text (pdf) of Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
The Morality of Musical Imitation in Jean-Jacques Rousseau
2006
«Sonate, que me veux-tu?»: Jean-Jacques Rousseau and the Problem of Instrumental Music
Part of Ad Parnassum, p. 57-67, 2005
Recent publications
The end of the world as they know it: Death and the apocalypse in two twenty-first-century operas
Part of TLS - The Times Literary Supplement, 2023
The death of a child: George Benjamin’s new opera: the expression of a fundamental mystery
Part of TLS - The Times Literary Supplement, p. 14, 2023
A stage of their own: Virginia Woolf is the inspiration for a female Finnish composer
Part of TLS - The Times Literary Supplement, 2023
An offer that can’t be refused: How opera is supported and funded–or not–in England
Part of TLS - The Times Literary Supplement, 2022
Massacre of the innocents: A masterpiece of modern ’spectral music’
Part of TLS - The Times Literary Supplement, 2022
All publications
Articles in journal
The end of the world as they know it: Death and the apocalypse in two twenty-first-century operas
Part of TLS - The Times Literary Supplement, 2023
The death of a child: George Benjamin’s new opera: the expression of a fundamental mystery
Part of TLS - The Times Literary Supplement, p. 14, 2023
A stage of their own: Virginia Woolf is the inspiration for a female Finnish composer
Part of TLS - The Times Literary Supplement, 2023
An offer that can’t be refused: How opera is supported and funded–or not–in England
Part of TLS - The Times Literary Supplement, 2022
Aesthetic Understanding and Epistemic Agency in Art
Part of Disputatio, p. 265-282, 2021
- DOI for Aesthetic Understanding and Epistemic Agency in Art
- Download full text (pdf) of Aesthetic Understanding and Epistemic Agency in Art
Excess all arias?: The 250-year-old tension between narrative and display in opera
Part of TLS - The Times Literary Supplement, 2019
E lucevan le stele: A new staging of Verdi’s ’opera of ideas’, with an incomparable cast
Part of TLS - The Times Literary Supplement, 2019
Angels and demons: Artistic visionaries 150 years apart
Part of TLS - The Times Literary Supplement, p. 22, 2019
Part of TLS - The Times Literary Supplement, p. 30-31, 2019
Part of TLS - The Times Literary Supplement, p. 12-12, 2019
Part of TLS - The Times Literary Supplement, p. 12-12, 2019
Part of TLS - The Times Literary Supplement, 2018
Gilt-laden memories: Samuel Barber’s rarely staged and only opera
Part of TLS - The Times Literary Supplement, 2018
Sugar, spice and ginger: A family-friendly opera–with Hitchcockian overtones
Part of TLS - The Times Literary Supplement, 2018
Letters gone astray: Operatic connections, misdirections and thrills.(Opera review)
Part of TLS - The Times Literary Supplement, 2018
Freedom and passion, not peace: A Long-Neglected Opera, Marked By The Absence Of Dmitri Hvorostovsky
Part of TLS - The Times Literary Supplement, p. 18-18, 2018
Part of TLS - The Times Literary Supplement, p. 20-20, 2018
Mythical spaces: Opera, from an organ room to an ice rink
Part of TLS - The Times Literary Supplement, p. 20-20, 2018
On The Moral Psychology and Normative Force Of Aesthetic Reasons
Part of Estetika, p. 20-39, 2017
Part of TLS - The Times Literary Supplement, p. 24-24, 2017
In the beginning was the deed: review of Szenen Aus Goethes Faust
Part of TLS - The Times Literary Supplement, p. 22-23, 2017
Part of TLS - The Times Literary Supplement, p. 22-23, 2017
Part of British Journal of Aesthetics, p. 71-75, 2017
Part of TLS - The Times Literary Supplement, p. 22-22, 2017
Part of TLS - The Times Literary Supplement, p. 18-18, 2016
Shifts and Shocks: Between Worlds
Part of TLS - The Times Literary Supplement, p. 17-17, 2015
Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
Part of British Journal of Aesthetics, p. 469-479, 2010
- DOI for Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
- Download full text (pdf) of Opera and the Limits of Philosophy: on Bernard Williams's Music Criticism
«Sonate, que me veux-tu?»: Jean-Jacques Rousseau and the Problem of Instrumental Music
Part of Ad Parnassum, p. 57-67, 2005
Articles, review/survey
Part of TLS - The Times Literary Supplement, 2016
Part of TLS - The Times Literary Supplement, 2016
Part of TLS - The Times Literary Supplement, p. 21-21, 2016
Part of TLS - The Times Literary Supplement, 2015
Part of TLS - The Times Literary Supplement, 2015
Part of TLS - The Times Literary Supplement, 2015
Part of TLS - The Times Literary Supplement, 2015
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
A fair hearing: Review of Mozart, Così fan Tutte, ENO, and Strauss, Der Rosenkavalier, Glyndebourne
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Part of TLS - The Times Literary Supplement, 2014
Chapters in book
Part of George Ensescu and Edmund Fleg: Oedipe, p. 38-43, Royal Opera House, 2016
Part of Wagner: Tristan und Isolde, p. 38-43, Royal Opera House, 2014
“Almost Miraculous”: Britten’s Music for Orchestra
Part of Britten’s Century, p. 144-156, Bloomsbury Academic, 2013
Conference papers
Monograph doctoral thesis
Other
Massacre of the innocents: A masterpiece of modern ’spectral music’
Part of TLS - The Times Literary Supplement, 2022
Part of TLS - The Times Literary Supplement, 2019
DONNERSTAG AUS LICHT Royal Festival Hall
Part of TLS - The Times Literary Supplement, p. 22-22, 2019
Part of TLS - The Times Literary Supplement, p. 18-19, 2019
Part of TLS - The Times Literary Supplement, p. 18-19, 2019
E lucevan le stelle: Libuše, Bedrich Smetana
Part of TLS - The Times Literary Supplement, p. 18-18, 2019
Part of TLS - The Times Literary Supplement, p. 24-24, 2019
Part of TLS - The Times Literary Supplement, p. 20-20, 2018
Letters gone astray: [Review of: Das Jagdgewehr, Carmen, The Barber of Seville]
Part of TLS - The Times Literary Supplement, p. 19-19, 2018
Part of TLS - The Times Literary Supplement, p. 26-26, 2018
Part of TLS - The Times Literary Supplement, p. 18-19, 2018
Part of TLS - The Times Literary Supplement, p. 19-20, 2017
The Mastersingers of Nuremberg
Part of TLS - The Times Literary Supplement, p. 19-20, 2017
Absolute Music: The History of an Idea
Part of British Journal of Aesthetics, p. 68-95, 2017
Part of TLS - The Times Literary Supplement, p. 19-19, 2017
Part of TLS - The Times Literary Supplement, p. 21-22, 2017
Hamlet: From his lowest note to the top of his compass
Part of TLS - The Times Literary Supplement, p. 21-22, 2017
THE RING OF TRUTH: The wisdom of Wagner's Ring of the Nibelung
Part of TLS - The Times Literary Supplement, p. 20-22, 2017
BEING WAGNER: The triumph of the will
Part of TLS - The Times Literary Supplement, p. 20-22, 2017
The music of time: Review of Der Ring Des Nibelungen, Stockholm Royal Opera
Part of TLS - The Times Literary Supplement, p. 20-22, 2017
Part of TLS - The Times Literary Supplement, p. 22-22, 2017
Don Giovanni: English National Opera
Part of TLS - The Times Literary Supplement, p. 22-22, 2016
Part of TLS-THE TIMES LITERARY SUPPLEMENT, p. 22-22, 2016
Part of TLS - The Times Literary Supplement, p. 17-18, 2015
Part of TLS - The Times Literary Supplement, p. 18-18, 2015
Part of TLS - The Times Literary Supplement, p. 17-18, 2015