Lars Berglund
Professor at Department of Musicology
- Telephone:
- +46 18 471 15 66
- E-mail:
- Lars.Berglund@musik.uu.se
- Visiting address:
- Engelska parken, Thunbergsvägen 3H
- Postal address:
- Box 633
751 26 UPPSALA
Download contact information for Lars Berglund at Department of Musicology
Short presentation
I am Professor of Musicology and I teach and supervise in most areas of the discipline even if my own research is mostly focused on historical perspectives and music analysis.
Presently, I work on the circulation, reception and use if Italian music in Northern Europe in the seventeenth century, on Queen Christina as a patron of music, and with a digitization project concerned with eighteenth-century manuscripts in Swedish collections
Biography
I received my PhD in Uppsala 2002 on a dissertation about Christian Geist (c1650-1711), a German musician active in Stockholm, Gothenburg, and Copenhagen. I was research fellow (2003-2006), Assistant Professor (2006-2010), and Senior Lecturer (2010-2015) at the Department of Musicology. 2011 I became Docent and 2015 I was recruited as a full Professor. I was head of department 2012-2018.
I am member and vice-chair of the Scientific Council for Humanities and Social Sciences at the Swedish Research Council (2022-2024) and board member of HERA (Humanities in the European Research Area).
I am member of the Royal Academy of Letters (Kungl. Vitterhetsakademien) and the Royal Academy of Music (Kungl. Musikaliska Akademien).
2014-2018 I was chair of the Swedish Society for Music Research
Research
In my research I work specifically with seventeenth-century music history. I try to combine music analysis in the hermeneutic tradition with philology, historical anthropology and the history of ideas. I also take interest in reception history.
I am PI for the following research projects:
"Translatio musicae: French and Italian Music in Northern Europe, c. 1650–1730" (Riksbankens Jubileumsfond 2019-2022), in collaboration with Maria Schildt.
Music at Court and University During Sweden’s Age of Liberty (1718-1772): a digitization and database project (Riksbankens Jubileumsfond 2020-2022), in collaboration with Maria Schildt and Jonas Lundblad.
Kyrkomusik i Sverige, från medeltid till nutid (Church Music in Sweden, from the Middle Ages to Present Day), a book project supported by Kungl. Vitterhetsakademien, the Swedish Church, Birgit and Sven Håkan Ohlsson's foundation and Riksantikvarieämbetet.
2012-2017 I was the PI of a research network financed by STINT, "Musical-cultural exchange in Early Modern Europe 1550-1750", together with Royal Holloway, London University and Bach Archiv, Universität Leipzig. 2014-17 i was PI for the project "The Royal Swedish court collection of French music from 1690-1726".
I am also a member of the following research networks:
- TraDiMus (Tracking the Dissemination of Italian Music; Fondazione Ugo e Olga Levi, Venice)
- "Shared Histories of Italian Opera in the Nordic Countries", NOS-HS
- "The Mandolin in Naples in the second half of 18th Century" (Bologna, Uppsala, Naples)
Apart from the early modern period I have also worked on art music and aesthetic debates in Sweden after the 2nd world war. I am also interested in the human voice, vocal performances and performativity.

Publications
Recent publications
Part of Musica e cultura a Roma, p. 651-675, Società romana di storia patria, 2025
Part of Svensk tidskrift för musikforskning, 2024
Magnus Tessing Schneider, 2022. The original portrayal of Mozart’s Don Giovanni.
Part of Svensk tidskrift för musikforskning, 2022
Il mandolino a Napoli nel Settecento
Turchini edizioni, 2022
La collezione Gimo: storia, contenuti e copisti
Part of Il mandolino a Napoli nel Settecento, p. 61-86, Turchini edizioni, 2022
All publications
Articles in journal
Part of Svensk tidskrift för musikforskning, 2024
Fra Danzig og Lübeck til Düben: om kilderne til Kaspar Försters musik
Part of Tidskriftet Custos, p. 4, 2021
I centrum av Roms musikliv: de påvliga sångarna
Part of Tidig musik, 2020
Det progressiva Rom: Antika idéer och djärv harmonik
Part of Tidig musik, p. 14-17, 2020
Roms underverk: förgängliga klanger i den eviga staden
Part of Tidig musik, 2020
Vad betyder egentligen ”svensk musikforskning”?
Part of Svensk tidskrift för musikforskning, 2019
Musik och pyroteknik i det tidigmoderna Europa
Part of Tidig musik, p. 8-11, 2018
Italian Music in the Düben Collection
Part of Musicologica Istropolitana, p. 147-167, 2017
Part of Musica Iagellonica, 2017
Det musikaliska uttryckets historicitet: om tidigmodern musik och lyssnande
Part of Kungl. Vitterhets Historie och Antikvitets Akademiens årsbok, 2017
Routes to the Düben Collection: The Acquisition of Music by Gustav Düben and his Sons
Part of De musica dissidenda, p. 51-66, 2015
Part of STM-Online, 2009
Monteverdi seglade operan i hamn
Part of Svenska Dagbladet: Under strecket, 2008
Amor in Deum. Representationen av eros i Christian Geists gudstjänstmusik för Karl XI:s hov
Part of Barock: historia, litteratur, konst, p. 127-141, 2007
Monteverdis L'Orfeo 400 år: innovation och extravagans när Mantua utmanade Florens
Part of Tidig musik, p. 24-26, 2007
Part of Tidig musik: Magasinet för musik från medeltid, renässans och barock, 2006
Sorge-Musique för en död drottning: om musiken vid Ulrika Eleonora den äldres begravning 1693
Part of Svensk tidskrift för musikforskning, p. 27-48, 2004
Part of Schütz-Jahrbuch, p. 7-29, 2002
Music and the Wor(l)d - Musicology and Mankind. How we Got Out of Analysis, and How to Get Back In
Part of Svensk tidskrift för musikforskning, 2001
Books
Kaspar Förster Jun. (1616–1673): Sacrae cantiones 1, 2, & 3 vocuum
Wydawnictwo Naukowe, 2021
Kaspar Förster Jun. (1616-1673). Sacrae cantiones 3, 4, & 5 vocuum
Wydawnictwo Naukowe, 2021
Bonifazio Graziani: Motets for two to six voices op 1
A-R Editions, 2011
Chapters in book
Part of Musica e cultura a Roma, p. 651-675, Società romana di storia patria, 2025
La collezione Gimo: storia, contenuti e copisti
Part of Il mandolino a Napoli nel Settecento, p. 61-86, Turchini edizioni, 2022
Northern Travellers in Southern Soundscapes: Swedish Musical Tourists in the 17th and 18th Centuries
Part of Turismo Musicale: Storia, Geografia, Didattica, p. 23-31, Pàtron editore, 2020
Part of Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, p. 187-208, Musica Iagellonica, 2020
Mourning a dead Queen. The music at the funeral of Ulrika Eleonora the Elderin Stockholm (1693)
Part of Contrafacta. Modes of Music Re-textualization in the Late Sixteenth and Seventeenth Century, p. 247-263, Musica Iagellonica, 2020
The Establishment of Swedish Musicology
Part of Wege zur Musikwissenschaft / Paths to Musicology, Bärenreiter Verlag, 2018
Music and mission in the Roman Jesuit Circles in the mid-17th Century
Part of Universalia et particularia, p. 85-106, Wydawnictwo Naukowe Sub Lupa, 2018
Hur franskt blev svenskt: Om användningen av prologer vid svenska hovet 1680-1718
Part of Musikens makt, p. 161-180, Makadam Förlag, 2018
Ämnesidentiteter och deldiscipliner inom svensk musikforskning: öppna fält eller stängslade hagar?
Part of Musiketnologi, p. 115-130, Kungliga Gustav Adolfs Akademien, 2017
French Stage Music in the Düben Collection, Uppsala: A Düben-Philidor Connection
Part of L’orchestre à cordes sous Louis XIV, p. 415-428, Librarie Philosophique J. Vrin, 2015
Düben versus Österreich/Bokemeyer: A comparison between two great music collections
Part of Zwischen Schütz und Bach: Georg Österreich und Heinrich Bokemeyer als Notensammler, p. 11-23, Carus, 2015
Musik på metervara.: En essä om musik, mening och musikanalysens eventuella gränser
Part of Löftet om lycka., p. 279-293, Daidalos, 2013
Part of Sweden in the eighteenth-century world, Ashgate, 2013
Musiken och passionerna: med Claudio Monteverdi i backspegeln
Part of Passioner, p. 218-245, Nationalmuseum, 2012
Angels or Sirens?: Questions of Performance and Reception in Roman Church Music Around 1650
Part of Performativity and performance in baroque art, p. 99-113, Ashgate, 2012
Part of Commonplace Culture in Western Europe in the Early Modern Period II, p. 159-175, Peeters, 2011
Att förstå musik, att uppleva historia: Reflektioner kring en madrigal av Claudio Monteverdi
Part of Det åskådliga och det bottenlösa, p. 20-25, Eidos, 2010
The Roman Connection: Dissemination and reception of Roman music in the North
Part of The Dissemination of Music in Seventeenth-Century Europe., p. 193-218, Peter lang, 2010
De musica pathetica: Diskussionen om musik och affekt i Athanasius Kirchers Musurgia universalis
Part of Själens uttryck., p. 90-107, Konstvetenskapliga institutionen, Stockholms universitet, 2008
Om konsten att förstå en mycket gammal opera: Claudio Monteverdis Orfeo
Part of Operavärldar från Monteverdi till Gershwin, p. 370, Stockholm : Atlantis, 2006
Part of Dag Wirén - en vägvisare, p. 260-282, Gidlund, 2005
Collections (editor)
Il mandolino a Napoli nel Settecento
Turchini edizioni, 2022
Conference papers
Swedish Monuments of Music and Questions of National Profiling
Part of Symposiumsbericht »Musikwissenschaftliche Editionen in Deutschland, 1930–1960, 2018
Part of Das Kantorat des Ostseeraums im 18. Jahrhundert, p. 87-94, 2007
Part of The Cultural Heritage of Medieval Rituals, p. 336, 2005
The Concerto Principle in Kaspar Förster's Psalm Compositions : Confitebor tibi Domine in C
Part of Musica Baltica. Im Umkreis des Wandels - von den cori spezzati zum konzertierenden Stil, p. 352, 2004
On Style and Tradition in the Sonatas by Kaspar Förster
Part of Polish-Swedish Cultural Relations During the Vasa Dynasty, p. 89-94, 1996
Monograph doctoral thesis
Other
Magnus Tessing Schneider, 2022. The original portrayal of Mozart’s Don Giovanni.
Part of Svensk tidskrift för musikforskning, 2022
Popularisering av musikhistoria och ”klassisk musik”: tre aktuella böcker
Part of Svensk tidskrift för musikforskning, 2019
Part of Early music, p. 470-471, 2014
Part of Svensk tidskrift för musikforskning, p. 158-161, 2010