2022

11/10 Halvor Hosar, Uppsala: "Hermeneutics and Church Music of the Classical Period"

18/10 Sanna Raninen, Uppsala: "Music Books in Post-Reformation Sweden and Finland"

1/11 Meghan Quinlan, Uppsala: "The Edge(s) of Reason: Medieval Music, Dreaming, and Rationality"

10/11 Carolien Hulshof, Uppsala: Slutseminarium på avhandling. Föropponent: Thomas James Solomon, Bergens universitet

15/11 Emma Sohlgren, Uppsala: Presentation av avhandlingskapitel.

29/11 Douglas Mattsson, Södertörn: "We Despise the Crescent': black metal and blasphemy in Turkey"

6/12 Ruth Tatlow: "New Light on J.S. Bach's Mühlhausen Cantatas (BWV) 106, 131, 150 and 196"

25/1 Carolina Hulshof, Uppsala: ‘Walk the line: female sexuality and gendered power relations in Zanzibari wedding ngoma’ (PhD dissertation chapters)

1/2 Catherine Ann Bradley, Oslo: 'Perspectives for lost polyphony and red notation around 1300: Medieval motet and organum fragments in Stockholm'

22/2 Benjamin Martin, History of Ideas, Uppsala: ‘The Sound(s) of World Peace: On the Intellectual History of Music at UNESCO’

22/3 Christine Dysers, Uppsala: ‘The Loop Generation: Practices, Aesthetics, and Philosophies of Repetition in Contemporary Composition’

29/3 Fredrica Roos, Uppsala: Final seminar on PhD dissertation on Gustav Mahler’s symphonies

Discussant: Associate Professor Jens Hesselager, Copenhagen

26/4 Marianne Gillion, Uppsala: ‘Resounding Worship: Networks of Musical Devotion in the European Reformations, 1520–1648’

3/5 Veronika Muchitsch, Södertörn University: ‘Remediations of genre and gender in “genrefluid” Spotify playlists’

10/5 Sanna Raninen, Uppsala: ‘Music Books in Post-Reformation Sweden and Finland’

17/5 Meghan Quinlan, Uppsala: Title t.b.a.

31/5 Erik Bergwall, Uppsala: PhD dissertation chapter