2021

12/10 Jonas Lundblad: “Birdsong becoming philosophy: Messiaen in Deleuze”

19/10 Maria Gonzalez, Conservatoire Royal, Bryssel: "Digital Humanities: A Strategic Partner for Historically Informed Music Practice"

2/11 Mikhail Lopatin: “Indeterminacy of meaning: "Consonantia", "Equivocus", "Metapoesis"”

23/11 Slutseminarium på Helen Rossils avhandling om folklig religiös sång i Danmark. Föropponent är docent Märta Ramsten.

7/12 Tobias Plebuch: ”What’s going on in “Gogobebe”? A Multimedia Analysis of 4 Minutes of K-Pop”

14/12 Lars Berglund & Maria Schildt: "Translatio Musicae, Rome – Antwerp – Stockholm: Circulation and Adaptation of Italianate Music, c. 1650–80"

8/2 Dafna Dori defends her PhD thesis: “The Brothers Al-Kuwaity and the Iraqi Song 1930–1950”

13.00, in Zoom

Faculty opponent: Martin Greve, Orient-Institut, Istanbul

9/3 Helen Rossil: PhD thesis chapter from thesis, working title “Singing as religious practice: Kingoton and Brorson singing”:

“Optakt til analyserne: lydindsamling og (auditiv) analyse af folkelig salmesang”

16/3 Fredrica Roos, Uppsala: Chapter from PhD thesis on storyworlds in Gustav Mahler’s fourth and fifth symphonies

23/3 Emma Sohlgren, Uppsala: Presentation of PhD project: “Italian opera in Sweden during the Age of Liberty (1719–1772)”

20/4 Lauri Suurpää, Sibelius Academy: “An Individual Opposing the Crowd: The Capriccio of Haydn’s String Quartet, Op. 20, No. 2”.

27/4 Jonas Lundblad, Uppsala: “Messiaen’s dialectic of eternity”

4/5 Erik Bergwall, Uppsala: Presentation of PhD project: “Musical intertextuality and learned counterpoint: music composed and collected by John Baldwin (1560–1615)”

18/5 Per-Henning Olsson, Uppsala: Title TBA

25/5 Meghan Quinlan, Uppsala: ”Sanctifying Louis IX (1214-1270) through Song”; book chapter