The History of Landscape Imagery

Main group 1

• Andrews, Malcolm, Landscape and Western art, Oxford, Oxford University Press, 1999Compulsory*

• Bermingham, Ann, Landscape and ideology: the English rustic tradition, 1740-1850, Berkeley, Univ. of Calif. Press, 1986Compulsory*
• Benjamin, Roger Harold, The Decorative Landscape, Fauvism, and the Arabesque of Observation, Part of: The art bulletin., vol. 75, no. 2, 1993, p. 295–316Compulsory*
• Blunt, Anthony, The Heroic and the Ideal Landscape in the Work of Nicolas Poussin, Part of: Journal of the Warburg and Courtauld institutes, vol. Vol 7, 1944, p. 154–168Compulsory*
• Cosgrove, Denis, Perspective and the Evolution of the Landscape Idea, Part of: Transactions of the Institute of British Geographers: published on behalf of the Royal Geographical Society (with the Institute of British Geographers), vol. Vol 10, no. No 1, 1985, p. 45–62Compulsory*
• Crandell, Gina, Nature pictorialized: "the view" in landscape history, Baltimore, Johns Hopkins Univ. Press, cop. 1993Compulsory*
• Dubois, E.T., Some Aspects of Baroque Landscape in French Poetry of the Early Seventeenth Century, Part of: The journal of aesthetics and art criticism, vol. Vol 19, no. No 3, 1961, p. 253–261Compulsory*
• Finley, Gerald, The Genesis of Turner's Landscape Sublime, Part of: Zeitschrift für Kunstgeschichte., vol. 42 Bd., 1979, p. 141–165Compulsory*
• Galassi, Peter, Corot in Italy: open-air painting and the classical landscape tradition, New Haven, Yale University Press, cop. 1991Compulsory*
• Gunnarsson, Torsten, Oljestudier i Norden 1800-1850, Part of: Natur och nationalitet: nordisk bildkonst 1800-1850 och dess europeiska bakgrund = Natur und Nationalität: nordische Bildkultur 1800-1850, Höganäs, Wiken i samarbete med Clara Lachmanns fond, 1992Compulsory*
• Janson, Anthony, The Meaning of the Landscape in Bellini's 'St. Francis in Ecstasy', Part of: Artibus et historiae.Compulsory*
• Janson, Anthony, The Meaning of the Landscape in Bellini's 'St. Francis in Ecstasy', Part of: Artibus et historiae: rivista internazionale di arti visive e cinema, vol. 15, no. 30, 1994, p. 41–54Compulsory*
• Janson, Anthony, The Meaning of the Landscape in Bellini's 'St. Francis in Ecstasy', Part of: Artibus et historiae: an art anthology.-no 16 (VIII), Firenze, IRSA, 1987Compulsory*
• Kupfer, Marcia, The Lost Wheel Map of Ambrogio Lorenzetti, Part of: The art bulletin., vol. 78, no. 2, 1996, p. 286–310Compulsory*
• Lillie, Amanda, Locus amoenus or Penitential Landscape, Part of: I Tatti studies: essays in the Renaissance, vol. 11, 2007, p. 11–55Compulsory*
• Mels, Tom, The Low Countries' Connection: Landscape and the Struggle over Representation around 1600, Part of: Journal of historical geography., vol. 32, 2006, p. 712–730Compulsory*
• Pächt, Otto, Early Italian Nature Studies and the Early Calendar Landscape, Part of: Journal of the Warburg and Courtauld institutes, vol. 13, 1959, p. 13–47Compulsory*
• Simson, Otto Georg von, Philipp Otto Runge and the Mythology of Landscape, Part of: The art bulletin., vol. 24, no. 4, 1942, p. 335–350Compulsory*
• Thomas, Greg M., The Topographical Aesthetic in French Tourism and Landscape, Part of: Nineteenth-century art worldwide: a journal of nineteenth-century visual culture., 2002Compulsory*
• Yamagishi, Takeshi, Landscape and the Human Being, Part of: Human Studies, vol. 15, no. 1Compulsory*

* Compulsory