Introduction to Digital Humanities: Theory and Method

Main group 1

• Ahnert, Ruth, The network turn: changing perspectives in the humanities / Ruth Ahnert, Sebastian E. Ahnert, Catherine Nicole Coleman, Scott B. Weingart. [electronic resource], uuuu-uuuuCompulsory* (pp43–56)
• Allington, D; Brouillette, S; Golumbia, D, Neoliberal Tools (and Archives): A Political History of Digital Humanities, LA review of books, 2016Compulsory* (12 pages)
• Bender, E.M et al., On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?, Part of: Proceedings of the 2021 ACM Conference on Fairness, Accountability, and Transparency, ACM / Association for Computing Machinery, 2021, p. 610–623Compulsory*
• Berry, David M.; Fagerjord, Anders, Digital humanities: knowledge and critique in a digital age, Cambridge, UK, Polity, 2017Compulsory* (Ch. 1 and 2, pp 1–39 (40 pages))
• Bhattacharyya, S, Epistemically Produced Invisibility, Part of: Global debates in the digital humanities, Minneapolis, University of Minnesota Press, [2022], p. 3–14,Compulsory*
• Bradley, J, Digital Tools in the Humanities: Some Fundamental Provocations?, Part of: Digital Scholarship in the Humanities, vol. 34, no. 1, 2019, p. 13–20Compulsory*
• Crawford, Kate, The atlas of AI: power, politics, and the planetary costs of artificial intelligence, New Haven, Yale University Press, [2021]Compulsory* (1–22, 123–149. 47 pages.)
• D'Ignazio, Catherine; Klein, Lauren F., Data feminism, Cambridge, Massachusetts, The MIT Press, [2020]Compulsory*
• Daston, L; Galison, P, Epistemologies of the Eye, Part of: Objectivity, New York, Zone Books, cop. 2007, p. 17–53Compulsory*
• Day, F.J, Debates in #BlackDH: Key Moments and Queer Directions in Black Studies Scholarship, Part of: Digital humanities quarterly, vol. 18, no. 4, 2024Compulsory* (13 pages)
• Dizikes, P, Our Two Cultures, Part of: The New York times., 2009Compulsory* (19 March)
• Dobson, James E., The Birth of Computer Vision. / James E. Dobson, uuuu-uuuuCompulsory* (pp 165–176)
• James E Dobson, Critical Digital Humanities: The Search for a Methodology, University of Illinois Press, 2019Compulsory* (Ch. 1 and 2, pp 1–31, 32–65 (66 pages))
• Drucker, J, Humanities Approaches to Graphical Display, Part of: Digital humanities quarterly, vol. 5, no. 1, 2011Compulsory* (19 pages)
• Drucker, J, Is There a "Digital" Art History, Part of: Visual resources: VR., vol. 29, no. 1-2, 2013, p. 5–13Compulsory*
• Drucker, Johanna, The digital humanities coursebook.: an introduction to digital methods for research and scholarship, First edition., Abingdon, Oxon, Routledge/Taylor & Francis, 2021Compulsory* (Ch. 1,2 and 7)
• Drucker, J, Normative Digital Humanities, Part of: The Bloomsbury handbook to the digital humanities, London, Bloomsbury Academic, 2022, p. 7–18Compulsory*
• Eide, ø, Modelling and Networks in Digital Humanities, Part of: Routledge International Handbook of Research Methods in Digital Humanities, 2020, p. chapter 6Compulsory*
• Gitelman, Lisa, "Raw data" is an oxymoron, Cambridge, Mass., The MIT Press, cop. 2013Compulsory* (PP 1–14 (Introduction))
• Gold, Matthew K., Debates in the digital humanities, Minneapolis, Univ Of Minnesota Press, 2012Compulsory*
• Gold, Matthew K.; Klein, Lauren F., Debates in the digital humanities 2016, Minneapolis, University of Minnesota Press, [2016]Compulsory* (Introduction)
• Debates in the digital humanities 2019 Matthew K. Gold and Lauren F. Klein, editors, uuuu-uuuuCompulsory* (Introduction)
• Gold, M.K; et, Al, Debates in the Digital Humanities. NED- New edition, University of Minnesota Press, 2012, https://dhdebates.gc.cuny.edu/projects/debates-in-the-digital-humanitiesCompulsory* (Kirschenbaum M (2012) What is Digital Humanities and What's It Doing in English Departments? (pp 3–11))
• Johnson, J.M, Mark up Bodies: Black [Life] Studies and Slavery [Death] Studies at the Digital Crossroads, Part of: Social text, vol. 36, no. 4, 2018Compulsory* (pp 5779)
• Jones, S.E, New Media and Modeling: Games and the Digital Humanities, Part of: A new companion to digital humanities, Chichester, John Wiley & Sons, 2016Compulsory* (pp 84–97)
• Lindemann, N.F, Chatbots, search engines, and the sealing of knowledge, Part of: AI & society, 2024 (14 pages)
• Luhmann, J; Burghardt, M, Digital Humanities - A discipline in its own right? An analysis of the role and position of digital humanities in the academic landscape, Part of: Journal of the Association for Information Science and Technology, vol. 73, no. 2, 2021, p. 83–96Compulsory* (pp 148–171)
• Manovich, L, Cultural Analytics, Social Computing and Digital Humanities, Part of: The Datafied Society. Studying Culture through Data, uuuu-uuuuCompulsory* (pp 55–68)
• McCarty, W, Becoming Interdisciplinary, Part of: A new companion to digital humanities, Chichester, John Wiley & Sons, 2016Compulsory* (pp 55–68)
• Pawlicka-Deger, U, The Laboratory Turn: Exploring Discourses, Landscapes, and Models of Humanities Labs, Part of: Digital humanities quarterly, vol. 014, no. 3, 2020Compulsory* (19 pages)
• Pierazzo, E, Textual Scholarship and Text Encoding, Part of: A new companion to digital humanities, Wiley/Blackwell, p. 307–321Compulsory*
• Pink, S; et al, Broken data: Conceptualising data in an emerging world, Part of: Big data & society, vol. 5, no. 1, 2018Compulsory* (pp 1–13)
• Piper, Andrew, Enumerations: Data and Literary Study / Andrew Piper, uuuu-uuuuCompulsory* (Introduction (Reading's Refrain) 22 pages)
• Ramsay, S, Developing Things. Notes toward an Epistemology of Building in the Digital Humanities, Part of: Debates in the digital humanities, Minneapolis, Univ Of Minnesota Press, 2012Compulsory* (8 pages)
• Risam, Roopika, New digital worlds: postcolonial digital humanities in theory, praxis, and pedagogy, Evanston, Illinois, Northwestern University Press, 2019Compulsory* (pp 33–88, 115–144 (96 pages))
• Rockwell, Geoffrey; Sinclair, Stéfan., Hermeneutica: computer-assisted interpretation in the humanities, Cambridge, MA, The MIT Press, 2016Compulsory* (pp. 1–23 ("Introduction: Correcting Method") 24 pages)
• Schlicht, H, Open Access, Open Data, Open Software? Proprietary Tools and Their Restrictions., Part of: Digital methods in the humanities: challenges, ideas, perspectives, Bielefeld, Bielefeld University Press, an imprint of transcript Verlag, 2021Compulsory* (pp 25–57)
• Sinclair, S; Rockwell, G, Text Analysis and Visualization, Part of: A new companion to digital humanities, Chichester, John Wiley & Sons, 2016Compulsory* (pp 274–290)
• Sula, C.A; Hill, H.V, The early history of digital humanities: An analysis of Computers and the Humanities (1966-2004) and Literary and Linguistic Computing (19862004), Part of: Digital Scholarship in the Humanities, vol. 34, 2019Compulsory* (pp i190-i206)
• Svensson, P, The digital humanities as a humanities project, Part of: Arts and humanities in higher education, vol. 11, no. 1-2, 2012Compulsory* (pp. 42–60)
• Metamorphosis of Gender, Part of: Distant horizons: digital evidence and literary change, Chicago, Illinois, The University of Chicago Press, [2019], p. 111–142Compulsory*
• van Es, K; Schäfer, M.T; Wieringa, M, Tool Criticism and the Computational Turn. A "Methodological Moment" in Media and Communication Studies, Part of: Medien & Kommunikationswissenschaft: M & K, vol. 69, no. 1, 2021Compulsory* (pp 46–64)
• Visconti, A; Quinn, D; Claudia, B, #DHmakes: Baking Craft into DH Discourse, KJDH, 2024, länk till artikelCompulsory*
• Amanda Wasielewski, Computational Formalism: Art History and Machine Learning, MIT Press, 2023Compulsory*
• Wasielewski, A; La Mela, M, What is Digital Humanities and What's it Doing in the Department of ALM?, Institutionen för ABM, 2025Compulsory* (20 pages)
• Wershler-Henry, Darren S.; Emerson, Lori; Parikka, Jussi, The lab book: situated practices in media studies, Minneapolis, University of Minnesota Press, [2021]Compulsory* (Introduction: Everything is a Lab. 23 pages)

* Compulsory