Musikvetenskap B

Uppsats

• Augustsson, Gunnar, Akademisk skribent: om att utveckla sitt vetenskapliga skrivande, Tredje upplagan, Lund, Studentlitteratur, [2018]
• Cook, Nicholas, Music: a very short introduction, Oxford, Oxford University Press, 2000
• Götlind, Anna; Linnarsson, Magnus, Konsten att skriva en fotnot: vetenskaplig formalia för humanister, 1. uppl., Lund, Studentlitteratur, 2015

Fördjupningskurs i musikhistoria

Delkursen börjar först den andra halvan av terminen. Litteraturen består artiklar som man får tillgång till vid kursstart.

• Buhler, James; Neumeyer, David, Hearing the movies: music and sound in film history, Second edition., New York, Oxford University Press, [2016]Compulsory*
• Gorbman, Claudia, Unheard melodies: narrative film music, Bloomington, Indiana Univ. Press, cop. 1987Compulsory*
• Meyer, Stephen C., Music in epic film: listening to spectacle, 2017Compulsory*
• Hayward, Philip, Terror tracks: music, sound and horror cinema: Genre, music and sound, 2009Compulsory*
• Biancorosso, Giorgio, The Shark in MusicCompulsory*
• Fan, Xin; Supalakwatchana, Salas, KPop Demon Hunters. Cultural Representation in Contemporary Korean Animation.Compulsory*
• Tibbetts, John C., Amadeus from Stage to ScreenCompulsory*

Verkstudier

Litteraturen utgörs av olika artiklar i Grove Music Online, som meddelas vid kursstart.

• Auner, Joseph Henry, Anthology for Music in the twentieth and twenty-first centuries, New York, W.W. Norton & Company, [2013]Compulsory*
• Bengtsson, Ingmar, Från visa till symfoni: en introduktion till studiet och förståelsen av musikalisk form och struktur, Omtr., Norrköping, NCS musikförl., 1985Compulsory*
• Machin, David, Analysing popular music: image, sound, text, Los Angeles, [Calif.], SAGE, 2010Compulsory*
• Appen, Ralf von; Frei-Hauenschild, Marcus, AABA, Refrain, Chorus, Bridge, Prechorus – Song forms and their Historivcal DevelopmentCompulsory*
• Appen, Ralf von; Doehring, André, Analysing Popular Music: Madonna’s Hung UpCompulsory*

Världsmusik

• Bakan, Michael B., World music: traditions and transformations., 3 ed., New York, McGraw-Hill, 2019Compulsory*
• Bohlman, Philip V., World music: a very short introduction, Oxford, Oxford University Press, 2002Compulsory*
• Brusila, Johannes, "Local music, not from here": the discourse of world music examined through three Zimbabwean case studies: The Bhundu Boys, Virginia Mukwesha and Sanduza, Helsinki, Finnish Society for Ethnomusicology, 2003Compulsory*
• Kaijser, Lars; Öhlander, Magnus, Etnologiskt fältarbete, 2., [omarb. och utök.] uppl., Lund, Studentlitteratur, 2011Compulsory*
• Lundberg, Dan; Ternhag, Gunnar; Ahlbäck, Gunnar, Folkmusik i Sverige, 2., omarb. [och aktualiserade] uppl., Hedemora, Gidlund, 2005Compulsory*
• Lundberg, Dan; Ternhag, Gunnar, Musiketnologi: en introduktion, 2. reviderade uppl., Möklinta, Gidlund, 2014Compulsory*
• Bohlman, Philip V, On SurvivalCompulsory*
• Brown, Danielle, An open letter on racism in music studies: Especially ethnomusicology and music education Compulsory*
• Hyltén-Cavallius, Sverker, Kreativa förflyttningar: musikaliska flöden i 1960- och 1970-talens Sverige, [Möklinta], Gidlunds förlag, [2022]Compulsory*
• Feld, Steven, A Sweet Lullaby for World MusicCompulsory*
• Gearheart, Rebecca, Ngoma Memories: How Ritual Music and Dance Shaped the Northern Kenyan CoastCompulsory*
• Hulshof, Carolien, Walking the line: female wedding ngoma in Zanzibar, Uppsala, Uppsala University, [Acta Universitatis Upsaliensis], [2023]Compulsory*
• Lundberg, Dan et al., Musik, medier, mångkultur: förändringar i svenska musiklandskap, Hedemora, Gidlund i samarbete med Riksbankens jubileumsfond, 2000Compulsory*
• Meintjes, Louise, Paul Simon's Graceland, South Africa, and the Mediation of Musical MeaningCompulsory*
• Malcolm Floyd, Composing the Music of Africa: Composition, Interpretation and Realisation, Routledge, uuuu-uuuuCompulsory*
• Wong, Deborah, Ethnomusicology without eroticsCompulsory*

• Bennett, Andy; Shank, Barry; Toynbee, Jason, The popular music studies reader, Abingdon, Routledge, 2006Compulsory*
• Hebdige, Dick.; Natalie Foster, Subculture: The Meaning of Style (New accents), Routledge, 2002Compulsory*
• Weisbard, Eric., Hound Dog, uuuu-uuuuCompulsory*
• Moore, Allan F., Song means: analysing and interpreting recorded popular song / Allan F. Moore, uuuu-uuuuCompulsory*

* Compulsory