Meghan Quinlan
Affiliated Researcher at Department of Musicology
- E-mail:
- meghan.quinlan@musik.uu.se
- Visiting address:
- Engelska parken, Thunbergsvägen 3H
- Postal address:
- Box 633
751 26 UPPSALA
Download contact information for Meghan Quinlan at Department of Musicology
Short presentation
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Biography
I come from a multi-disciplinary background, holding degrees in the liberal arts and natural sciences (B.Arts.Sc., McMaster), medieval studies (M.St., Oxon), and musicology (DPhil, Oxon). This exposure to a wide range of scholarly perspectives informs much of my work, which includes close readings of medieval songs as well as broader explorations of music's role in medieval culture.
I am also trained as a choral conductor and singer, and periodically share my performances of the songs I am researching on my videocast, Chanter m'estuet.

Publications
Selection of publications
Eye, Mouth, and Ear: The Female-Voiced Contrafacta of Can vei la lauzeta mover
Part of Female-Voiced Song in the Middle Ages, Brill Academic Publishers, 2021
When Courtly Song invades History: Lyricising Blanche de Castile
Part of Gender and Voice in Medieval French Literature and Lyric, University Press of Florida, 2021
Can Melodies be Signs? Contrafacture and Representation in Two Trouvère Songs
Part of Early music, p. 13-27, 2020
Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci
Part of Music & Letters, p. 623-656, 2020
- DOI for Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci
- Download full text (pdf) of Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci
Recent publications
Popular Music: In Search of Lost Practices [In Press]
Part of A Cultural History of Music in the Middle Ages, Bloomsbury Academic, 2022
Eye, Mouth, and Ear: The Female-Voiced Contrafacta of Can vei la lauzeta mover
Part of Female-Voiced Song in the Middle Ages, Brill Academic Publishers, 2021
When Courtly Song invades History: Lyricising Blanche de Castile
Part of Gender and Voice in Medieval French Literature and Lyric, University Press of Florida, 2021
Kör, gemenskap och jagets gräns
Part of Signum, 2020
Can Melodies be Signs? Contrafacture and Representation in Two Trouvère Songs
Part of Early music, p. 13-27, 2020
All publications
Articles in journal
Kör, gemenskap och jagets gräns
Part of Signum, 2020
Can Melodies be Signs? Contrafacture and Representation in Two Trouvère Songs
Part of Early music, p. 13-27, 2020
Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci
Part of Music & Letters, p. 623-656, 2020
- DOI for Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci
- Download full text (pdf) of Repetition as Rebirth: A Sung Epitaph for Gautier de Coinci
Förstelning eller förnyelse? Beethoven 250 år
Part of Signum, p. 12-16, 2020
En benediktin lyhörd för världen: Gautier de Coincis musikaliska mirakler
Part of Signum, p. 34-37, 2019
Chapters in book
Popular Music: In Search of Lost Practices [In Press]
Part of A Cultural History of Music in the Middle Ages, Bloomsbury Academic, 2022
Eye, Mouth, and Ear: The Female-Voiced Contrafacta of Can vei la lauzeta mover
Part of Female-Voiced Song in the Middle Ages, Brill Academic Publishers, 2021
When Courtly Song invades History: Lyricising Blanche de Castile
Part of Gender and Voice in Medieval French Literature and Lyric, University Press of Florida, 2021