Renaissance Polyphony 1

15 credits

Course, Bachelor's level, 5MU041

Expand the information below to show details on how to apply and entry requirements.

Location
Flexible
Pace of study
50%
Teaching form
Distance learning
Number of meetings
  • Mandatory on-campus meetings: 0
  • Optional on-campus meetings: 0
Instructional time
Daytime
Study period
31 August 2026–17 January 2027
Language of instruction
Swedish
Entry requirements

Music Theory 1, 15 credits, or the equivalent

Selection

Final school grades (60%) - Swedish Scholastic Aptitude Test (40%)

Fees
If you are not a citizen of a European Union (EU) or European Economic Area (EEA) country, or Switzerland, you are required to pay application and tuition fees.
  • First tuition fee instalment: SEK 24,750
  • Total tuition fee: SEK 24,750

Read more about fees.

Application deadline
15 April 2026
Application code
UU-52926

Admitted or on the waiting list?

Registration period
3 August 2026–30 August 2026
Information on registration from the department

Expand the information below to show details on how to apply and entry requirements.

Location
Flexible
Pace of study
50%
Teaching form
Distance learning
Number of meetings
  • Mandatory on-campus meetings: 0
  • Optional on-campus meetings: 0
Instructional time
Daytime
Study period
18 January 2027–6 June 2027
Language of instruction
Swedish
Entry requirements

Music Theory 1, 15 credits, or the equivalent

Selection

Final school grades (60%) - Swedish Scholastic Aptitude Test (40%)

Fees
If you are not a citizen of a European Union (EU) or European Economic Area (EEA) country, or Switzerland, you are required to pay application and tuition fees.
  • First tuition fee instalment: SEK 24,750
  • Total tuition fee: SEK 24,750

Read more about fees.

Application deadline
15 October 2026
Application code
UU-02926

Admitted or on the waiting list?

Registration period
21 December 2026–17 January 2027
Information on registration from the department

About the course

16th-century compositional practice came to be seen as a standard model for polyphony for several later centuries and has long been an important element in music theory for all later modal and tonal music. This course focuses on analysis of two-part polyphony as well as exercises in writing melodic material and different types of two-part contrapuntal writing in 16th-century style.