• Taschetti, Gabriele.; Toffetti, Marina., Contrafacta: modes of music re-textualization in the late sixteenth and seventeenth century, Kraków, Musica Iagellonica, 2020Compulsory* (pp. 247–263)
• Carter, Tim.; Butt, John., The Cambridge History of Seventeenth-Century Music, Cambridge, Cambridge University Press, 2005Compulsory* (Chapter "Renaissance, Mannerism, Baroque")
• Citron, Marcia J., Gender and the musical canon, Cambridge, Cambridge Univ. Press, 1993Compulsory* (pp. 15–43)
• Dahlhaus, Carl; Robinson, J. Bradford, Foundations of music history, Cambridge, Cambridge University Press, [1983]Compulsory* (pp.33–43)
• Dahlhaus, Carl; Robinson, J. Bradford, Nineteenth-century music, Berkeley, University of California Press, cop. 1989Compulsory* (pp.1–53)
• DeNora, Tia, Beethoven and the construction of genius: musical politics in Vienna, 1792-1803, Berkeley, Univ. of California Press, cop. 1995Compulsory* (Chapter 3 and 6)
• Cook, Nicholas; Everist, Mark, Rethinking music, Oxford, Oxford University Press, 1999Compulsory* (pp.378–402 and pp.336–355)
• Jones, Carys Wyn, The rock canon: canonical values in the reception of rock albums, London, Ashgate, 2016Compulsory* (Extracts)
• Magnus Tessing Schneider, The Original Portrayal of Mozart‚Äôs Don Giovanni, uuuu-uuuuCompulsory* (pp.1–53)
• Treitler, Leo, Music and the historical imagination, Cambridge, Mass., Harvard University Press, cop.1989Compulsory* (pp.67–78)
• Annibali, Claudio, Towards a Theory of Musical Patronage in the Renaissance and Baroque: the perspective from anthropology and semioticsCompulsory*
• Ellis, Katherine, The Fair SaxCompulsory*
• Kallberg, Jeffrey, The Rhetoric of Genre: Chopin's Nocturne in G minorCompulsory*
• Mugglestone, Erica; Adler, Guido, Guido Adler's "The scope, method, and aim of Musicology" (1885): An English translation with an historico-analytical commentaryCompulsory*
• Ramnarine, Tina K, Brotherhood of the BoatCompulsory*
• Shreffler, Anne C, Berlin Walls: Dalhaus, Knepler, and ideologies of music historyCompulsory*
• Glenn, Stanley, "Musicology" and "Historiography", Grove Music OnlineCompulsory*

* Compulsory