2024

Hösttermin 2024

8/10 Temaseminarium: AI och musik
15/10 Emma Sohlgren: Presentation av avhandlingskapitel
29/10 OBS Starttid 15.15 Inna Shvorak, affilierad forskare, institutionen för kulturantropologi och etnologi, Uppsala: "(Re)Invention of Rituals in Militarised Ukraine: A New Wave of Folk Music Revival"
5/11 Erik Bergwall: Presentation av avhandlingskapitel
12/11 Joanna Zienkiewicz, Groningen: "Protest Music against Right-Wing Populism: Who Represents ‘the People’?"
19/11 Riitta-Liisa Valijärvi, institutionen för moderna språk, Uppsala: "Linguistics and heavy metal"
3/12 Riccardo Pintus: Presentation av avhandlingskapitel
17/12 Alessandra Paciotti, doktorand, Pavia universitet: "For a digital genetic edition of Franz Liszt’s Sonata in B minor".

23/1 Eric Weisbard, professor i Amerikastudier vid University of Alabama, 2023/24 SINAS Fulbright Chair in American Studies in Uppsala: "Editor's Introduction to the Oxford Handbook of Pop Music: A Very Rough Draft"
13/2 Sanna Raninen, Uppsala: "Cultural History of Music Books in Post-Reformation Sweden: monograph plan and chapter on church inventories"
5/3 OBS 15.15 Jun Kai Pow, Uppsala: "Stateless: Musicking, Recollecting, Decolonizing"
12/3 Mikhail Lopatin, Uppsala: "Contrapunctus and Text / Contrapunctus as Text: Connecting the Dots"
26/3 Mårten Nehrfors, Uppsala: "Neue Sachlichkeit in Sweden: two examples"
9/4 Antonio Chemotti, Leuven: "From Italy to Frankfurt an der Oder passing through Antwerp: Phalèse's madrigal collections at the Viadrina University"
14/5 Peter van Tour, Örebro: "Sources in Music Theory"
17/5 OBS 13.15 Disputation Mathias Boström: "Fonografen som föreställning: Introduktionen av ljudinspelningar vid svenska minnesinstitutioner". Fakultetsopponent: Prof. em. Alf Björnberg, Göteborgs universitet. Sal IV, Universitetshuset, Biskopsgatan 3
28/5 John Vandevert, Uppsala: "The Sound of 'Blackness' and Authenticity in 1990s Russian Rap: A Look At The Aesthetics of Bad Balance And Key Elements"
4/6 Anna Bull, Örebro universitet: "The role of youth voice in the social and creative renewal of classical music"